The fascination with personal adornment is universal. It is a preoccupation that is primal, instinctive, and uniquely human. 'Jewelry' encompasses a seemingly endless number of ornaments produced across time and in all cultures. The range of materials and techniques used in its construction is extraordinary, even revolutionary, with new substances and methods of fabrication added with every generation. In any given society, master artisans have devoted their time, energy and talent to the fine art of jewellery making, creating some of the most spectacular objects known to humankind.
This volume, geared toward jewellery makers, scholars, scientists, students and fashionistas alike, begins with a lively introduction that offers a cultural history of jewellery and its production. The main text provides information on the most common, iconic and culturally significant forms of jewellery and also covers materials, techniques, and manufacturing processes. Containing eighty colour illustrations, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of the art of jewellery.
Nobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98-1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects.
In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to
reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors-intimate and anonymous everyday scenes that addressed modern life in America.
True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
À travers l'uvre de deux photographes nés au début du 20e siècle, Hiroshi Hamaya et Kansuke Yamamoto, Japan's Modern Divide explore deux versants de la photographie japonaise : celui de la photographie documentaire ancrée dans la réalité de la vie quotidienne et celui de l'expérimentation avant-gardiste fortement influencée par le surréalisme.
La fenêtre dans la photographie à travers une étonnante sélection de clichés issus de la collection du Getty Museum : d'Atget, Kertész et Stieglitz à Eggleston, Salgado et Crewdson.
Après l?arbre, le paysage, la nature morte et la photographie narrative, le Getty Museum poursuit sa série de petits ouvrages , il s'intéresse cette fois à la photographie d?architecture.
